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Lecturer(s)
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Course content
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unspecified
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Learning activities and teaching methods
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Monitoring, Demonstration, Projection, Skills training
- Practical training
- 39 hours per semester
- Contact teaching
- 39 hours per semester
- Individual project
- 87 hours per semester
- Preparation for a credit (assessment)
- 42 hours per semester
- Independent critical reading
- 32 hours per semester
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Learning outcomes
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The aim of the course is to familiarize students with the possibilities of using audiovisual media for documenting and presenting research, with distribution options, and with trends in the development of new technologies. During the course, students will learn practical technical skills in working with image and sound technology. They will also put their skills into practice by completing individual camera exercises.
Students will be able to use the digital camera as well as the basic post-production processes - edition, sound mix, and the final media procession. They will familiarise themselves with the film language as well as with the basic communication during shooting.
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Prerequisites
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unspecified
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Assessment methods and criteria
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Home assignment evaluation, Creative work analysis
The course is taught in person and attendance is mandatory. Three absences are excusable, but must be reported by email before the start of the course. In order to obtain certification, students must continuously complete audiovisual exercises (space study, work process study, portrait). After completing and implementing all three tasks, students receive credit for the course.
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Recommended literature
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Barbash, I., L. Taylor. Crosscultural filmmaking. A handbook for making documentary and ethnographic films and videos. Berkeley, California, Los Angeles. 1997.
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Ferrarini, L., Scaldaferri, N. Sonic Ethnography. Identity, heritage and creative research practise in Basilicita, southern Italy. Manchester. 2020.
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Lapčík, R. Filmový zvuk pro nezvukaře 2. Praha Akademie múzických umění. 2024.
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Lapčík, R. Filmový zvuk pro nezvukaře. Praha Akademie múzických umění. 2021.
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Lawrence, A. Filmmaking for fieldwork. A practical handbook. Manchester. 2020.
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MacDougall, D. The looking machine. Essays on cinema, anthropology and documentary filmmaking. Manchester. 2019.
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